“Fright Night” (1985): Still Kitschy, Scary, & Smart

MINOR SPOILERS BELOW!!!!!!

As another October recently passed us by, I lament how fast the month flew without my being able to see more scary movies. I always go into the month with big plans for how many I will devour over the next 31 days, but rarely do I see those plans fulfilled. Time and Life (not the magazines) get in the way.

However, I did manage to watch a handful of horrors. I tend to mostly stick with monster flicks when it comes to scary movies…vampires, werewolves, zombies, etc… The ones about demons are usually too much for me because I actually believe they exist, and there are only a handful of slasher films I get into- no “Saw” or torture movies for me.

One of my favorite horror movies of all time is Fright Night (1985). The story is archetypical of Bram Stoker’s Dracula, one of my favorite books of all time. I must not have been the only major fan of Fright Night, as there was a remake released a few years back. I do love the late, great Anton Yelchin, who played the teenage lead of Charlie in that version, but it just was nowhere near as fun as the original. Why? So glad you asked!

As alluded to above, I am a sort of horror light weight. It really does not take much to scare me in a story. I’d like to chalk it up to a great imagination, but I’m probably just a chicken. I managed to get in a viewing of the original during October this year, and I’m happy to say, Fright Night still creeps me out, big time. I had probably not seen it for several years at least, but on my latest viewing, it still had the same creepiness- the same drop in the pit of the stomach when Charlie walks downstairs and sees that his mother has invited the bloodsucking neighbor in for a drink! (Everyone knows a vampire cannot enter your home without an invitation, right??? Remember that!) There was the same sense of impending doom as Charlie realizes the sun is about to go down and he is defenseless. And of course, the same scary satisfaction arises when Peter Vincent realizes Charlie is right about Jerry Dandridge being a vampire.

Speaking of Peter Vincent, The Great Vampire Killer (and you really should NOT discuss Fright Night without mentioning him), I always adored the character. Played to perfect delight by the wonderful Roddy McDowall, Vincent is pompous, sentimental, a washed up has-been, and he is the only one Charlie can go to for help. As the host of “Fright Night”, the show within a show, Peter Vincent’s late-night gig runs movies, usually starring himself as the Great Vampire Killer. A comment on the times, Peter’s termination from his hosting job near the beginning of the movie is because, “Apparently your generation doesn’t want to see vampire killers anymore…all they want to see are slashers running around in ski masks hacking up young virgins.”

Jerry Dandridge and his semi-human, super-evil sidekick Billy Cole seem to agree with the new generation that those of Peter Vincent’s ilk have lost their potency. They laugh at Vincent as he tries to fight them. Even they believe he is just a joke. There is more to that than Vincent being past his prime- he is past his popularity. His form of hero holds no power, anymore. But Vincent and Charlie, as well as the popularity and staying power of Fright Night itself, would prove this wrong.

The irony is that Fright Night is reminiscent of one of those late-night, campy, kitschy monster flicks that no one in the 80’s wanted to see anymore. As a youngster watching it back in the day, I did not realize the fun it was having at my expense, accusing me even as I thrilled in it that I was part of the problem. I was one of the reasons it was a dying breed. Monsters just weren’t scary enough anymore for the new generation, but oh wait, the producers seemed to be saying- we WILL scare you! And they did, and still do.

Fright Night is an unabashed camp-fest, gory, sometimes funny, sometimes weirdly erotic (as Jerry attempts to seduce Charlie’s girlfriend, the damsel in distress), nostalgic for a bygone era…and for all of that, it remains scary and smart. I always knew it was scary. I think it took a little growing up on my part to realize it was smart.

On the Epic Image

Unless you’ve been living in Biosphere 2, you probably recognize this image. Heck, maybe you recognize it even if you DO live in Biosphere 2- do they have TVs there? Whether you love, hate, used to love it and now love to hate it, or have no feelings at all about The Walking Dead, you surely know this image and what it represents. The Walking Dead (television show, not the comic book) premiered on AMC on October 31, 2010…just over 10 years ago for you math wizards out there, and this is the epic image which proceeded it.

The Walking Dead is still going, though it was recently announced that its final, extended season will begin airing in 2021 and finish up in 2022. Since 2010, though, the show has told a story of epic proportions, following complex characters and spawning several spinoffs. The primary hero of the show, Rick Grimes, opens the show in the midst of a ruined civilization. He carries a gas can, meets a little-girl zombie carrying a teddy bear (an early mistake, as Walkers do not use tools or have affinity for objects), and begins looking for another ride.

Eventually, of course, Rick comes across the horse he is riding in this image. Sure, Rick, ride that poor guy into a swarming plague of zombies…he won’t mind. Spoiler alert: animals typically do not fare well in this series. WHY, though, is he taking himself and this poor animal into a place where clearly so many were trying to leave? What is this image communicating, and why is it so epic in nature?

We associate epic stories with the past, with myths and heroic legends, with Odysseus and Hercules and Gilgamesh and King Arthur. The image of a warrior, geared up for battle in both clothing and weaponry, riding on a horse, immediately takes the viewer on a mental time warp to an age of gallantry, when knights rode on steeds and undertook challenges for noble purposes. Surely, that is what we are meant to see here. It does not matter that there are high rise buildings in the background and modern automobiles in the outgoing lanes…these materials are now part of a dead world. They are a part of the past, and the past is now come round again.

Rick Grimes is on a quest, a true hero’s journey, to find his family and rescue them from this new world of horrors. His hero’s journey quickly becomes a a quest to stay a hero- to remain “good” while everything around him falls into decay. This image is epic in nature because it brings the viewer, perhaps even subconsciously, to that expectation of the knight going to rescue his charge and fight the dragon. What we do not see is that the fiercest dragon he must eventually conquer is himself.

I truly love this show. Ironically, because I love it so much, I have not watched it in about two years because I was furious with some of the choices made by the producers and the writing team. I always planned to get back to it, though, and since the end approaches next year, this is an excellent time to start from the beginning, do a re-watch, and write some blogs along the way. I should be caught up by next year…surely, right??? Maybe this is the start of my own epic adventure.

Crossing the Threshold

Thanks for joining me on this adventure! I have planned this blog for a long time, and it is finally beginning. I hope to learn a lot as I go, but also to share some thoughts I have as well…thoughts on story and its deeper meaning in the grand scheme. Here we go…ACROSS THE THRESHOLD!!!

“Crossing the Threshold” is one of the crucial stages of the Hero’s Journey as outlined by Joseph Campbell. You will probably see a lot of references on this blog to Campbell. I think his work was groundbreaking for the storytelling world, and even for the world in general. While I disagree with Campbell on much, particularly on the conclusions I draw from his research, I do think his work is important. It provides great insights into the structure of story, which may in turn provide great insights into so much more.

Campbells-17-Stage-Model-small

According to Campbell’s diagram of the Hero’s Journey, the crossing of the threshold is the dividing line between separation and initiation- a departure from the ordinary world and a step into the new. I hope this blog will be that for me, in a way–a fascinating adventure in a different realm…won’t you join me? Land of enchantment, here we come!!!

Disclaimer: If you do go on this adventure with me, I hope you like excessive punctuation…

Good company in a journey makes the way seem shorter. — Izaak Walton

 

Blog at WordPress.com.

Up ↑

A Pilgrim in Narnia

a journey through the imaginative worlds of C.S. Lewis, J.R.R. Tolkien, and the Inklings

Discover WordPress

A daily selection of the best content published on WordPress, collected for you by humans who love to read.

WordPress.com News

The latest news on WordPress.com and the WordPress community.